Friday, 16 November, 2018

The Good Country Index

The Good Country Index

Posted on Wednesday, 13 December, 2017Wednesday, 13 December, 2017 by Zheluo Cai

The Good Country Index.

Problems like climate change, pandemics, migration, human trafficking, terrorism and economic chaos are multiplying because of globalisation. These problems are too big and connected to any one country to fix them. We need to co-operate and collaborate much more closely if we’re going to make the world work. The Good Country Index, created in 2014, tries to look beyond conventional economic and social indicators and instead rates countries on measures such as their contributions to global culture, health, security and the environment. The Netherlands was ranked number one while Iraq, Libya and Afghanistan were at the bottom. Britain slipped behind Switzerland, Ireland, Germany and Finland but was still close to the top of the 163 countries in the index. The USA was ranked 25^th. Simon Anholt, an international policy adviser who created the index, said: “A good country is one that successfully contributes to the good of humanity. Of course, it must serve the interests of its own people, but never at the expense of other populations or our shared resources: this is the new law of human survival.” The Good Country isn’t an organisation, an NGO, a charity or a company. It’s an idea: an idea that needs to spread. Some of the tools to help the idea spread have already been launched on this site: the Good Country Index and the Global Vote.

Read Articles From The Good Country Website Here:

https://goodcountry.org/

Go Directly To The Good Country Index Here:

https://goodcountry.org/index/results

The Ainu, in the historical Japanese texts the Ezo, are an indigenous people of Japan (Hokkaido, and formerly northeastern Honshu) and Russia (Sakhalin, the Kuril Islands, and formerly the Kamchatka Peninsula). On June 6, 2008, the Japanese Diet passed a bipartisan, non-binding resolution calling upon the government to recognize the Ainu people as indigenous to Japan, and urging an end to discrimination against the group. Recent research suggests that the historical Ainu culture originated in a merger of the Okhotsk culture with the Satsumon, one of the ancient archaeological cultures that are considered to have derived from the Jōmon-period cultures of the Japanese archipelago. The Ainu economy was based on farming, as well as on hunting, fishing and gathering.

The Cave Nebula in Hydrogen, Oxygen, and Sulfur.
Image Credit & Copyright: Chuck Ayoub. The featured skyscape is dominated by dusty Sh2-155, the Cave Nebula, a stellar nursery 10 light-years deep. About 2,400 light-years away, the scene lies along the plane of our Milky Way Galaxy, towards the royal northern constellation of Cepheus. Astronomical explorations of the region reveal that it has formed at the boundary of the massive Cepheus B molecular cloud and the hot, young stars of the Cepheus OB 3 association. The bright rim of ionized hydrogen gas is energized by radiation from the hot stars, dominated by the bright star just to the left of the cave entrance. Radiation driven ionization fronts are likely triggering collapsing cores and new star formation within.

The national flag of Nepal is the world's only non-quadrilateral national flag. The flag is a simplified combination of two single pennons, known as a double pennon. Its crimson red is the colour of the rhododendron, Nepal's national flower, while the blue border is the colour of peace. The inclusion of the celestial bodies indicates Nepal's permanence and the hope that Nepal will enjoy the same longevity as the Sun and the Moon. Additionally, the stylized moon represents the calm demeanour and purity of spirit of the Nepali people, while the stylised sun represents their fierce resolve. The current flag was adopted on 16 December 1962, along with the formation of a new constitutional government.

The Last Judgment is a fresco by the Italian Renaissance painter Michelangelo, covering the whole altar wall of the Sistine Chapel in Vatican City. It is a depiction of the Second Coming of Christ and the final and eternal judgment by God of all humanity. There are over 300 figures, with nearly all the males and angels originally shown as nudes; many were later partly covered up by painted draperies. The work took over four years, between 1536 and 1541. Michelangelo began working on it twenty-five years after he finished the Sistine Chapel ceiling, and was nearly 67 at its completion. It was commissioned by Pope Clement VII but was completed under Pope Paul III.

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