The Return Of The Prodigal Son

Rembrandt`s Return of the Prodigal Son painted in 1668 toward the end of his life, and now hanging in the Hermitage (Room 254) in St. Petersburg, Russia, is a truly astounding work of sacred art. The dimension of the original is 262 cm (103.1 ″) by 205 cm (80.7 ″). Six people in front of an arched doorway. On the left, an old man lovingly embraces a young and bold man who bows his head in humility. This is his son who returned after a long time. While the father is dressed in beautiful clothes, the son is not. He wears old clothes with holes in it, and his sandals are worn and broken. He still wears the dagger on his belt that he needed to defend himself in the outside world. On the right is the older son of the old man. Dressed in a red cloak, he has his hands folded while holding a cane. He looks at his younger brother with a mix of disapproval and envy. It is not certain who the other three people in this painting are. The woman in the middle background maybe a sister or the mother of the prodigal son. The seated man with a moustache may be an older servant. On the top left, barely visible is the silhouette of a female servant. Rembrandt uses light to emphasize the important aspects of the painting. The father and son are fully in the light, the older son is partially in the light, and the other people are in the darkness.

Emotions in this painting: Like few others, Rembrandt is able to convey the emotions of the subjects in his painting. He has lived an eventful life and knows what it is to miss his children. People recognize the emotions in this work and this is the main reason that many are deeply touched by this work. You can see the father’s love in the embrace, and the tenderness in the way he puts his hands on his son’s back. Looking at his face, we can identify multiple emotions at the same time: grief about his son’s past behaviour, relief that his son is back, and the love in being able to embrace his son. Rembrandt is able to include multiple emotions at once in this painting, which is different from some earlier work that he did on this subject. Look at the hands of the father in this painting. They are quite different. His right hand has a lighter colour than the left hand. And, the fingers on the right hand are longer and thinner than those on the left hand. The right hand is feminine, and the left hand is masculine. The reason for these differences has been debated quite a bit over the years. One explanation is that the hands represent both the hand of the father and the mother of the prodigal son as God can assume both roles for us.

The parable of the prodigal son: Luke 15: 11-32 describes a famous story that Jesus told to the Pharisees about a rich man and his two sons. The parable illustrates the Christian ideal of mercy. It relates toLuke 15:7, where Jesus says that there is more joy in heaven over one sinner who regrets his sins than over 99 good people who need no change. The parable describes that the younger of two sons asked his father for his share of the inheritance and left. He wastes his money and lives like a fool until he runs out of money. One day, he realizes how foolish he has been and decides to return home to his father and beg him for forgiveness. The father is very happy to get his son back and organizes a big party. The older son, however, is not so happy. While his younger brother was wasting his money and feasted with prostitutes, he has continued to work hard for his father’s business and has never gotten such a big party. The father tells the older son that everything he has is also owned by him, but that on this day he celebrates the life of his youngest son.

Backstory: This is the last major painting Rembrandt painted during his life, and it is probably the best-known of his religious works. The painting combines two elements from the Biblical story. The meeting between the father and the younger son, and the separate meeting between the father and the older son. According to Luke 15, the older brother is not present when the father is reunited with his youngest son. However, just like in the parable that Jesus told, it is not clear in this painting whether the oldest son will walk away from his younger son or will eventually welcome him back as well.

Moral message: Rembrandt did not use any clear symbols to convey the main message of this painting. He just shows the emotions of the father and the two sons, which convey two important Biblical lessons. The father shows what mercy is and the son shows that you can always ask for forgiveness for your mistakes. And the older son? He is not sure yet whether he can put his jealousy aside and forgive his younger brother.

Who is Rembrandt? Rembrandt Harmenszoon van Rijn (1606-1669) was a very talented painter from The Netherlands. He is considered as one of the most influential Baroque painters. Rembrandt had an eventful life in which he experienced many extreme situations of prosperity and adversity. Earlier in his career, he was financially very successful, happily married, and got children. However, soon after, three of his children died in childhood, his wife died at age 32, and he faced financial difficulties. As illustrated by the current painting, Rembrandt was very good at painting human emotions. He painted many realistic self-portraits during his life in which his face reflects his state of mind and the events in his life. Rembrandt’s most famous work is The Night Watch in the Rijksmuseum in Amsterdam. However, he has also painted an occasional mythological work of very high quality, like The Abduction of Europa in the Getty Museum. ​

Credit: Eelco Kappe forTripImprover.

Note: Henri J. M. Nouwen’s The Return of the Prodigal Son: A Story of Homecoming, published in 1994 by Image Books (ISBN: 0385473079), from a religious perspective is a recommended read.